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Magazine Chess Book Reviews : April 2007Return to the Magazine Review Index
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This is the first in a new series of a projected
four books by Kasparov on Modern Chess. This volume concentrates
on the big step forward in opening theory that came about in the 1970s
in the wake of Bobby Fischers conquest of the world title. The book
consists of 23 chapters on some of the most significant lines which made
big leaps forward during the 1970s (and, in some cases, the 1980s), with
a final chapter consisting of 28 essays by grandmasters who were active
at the time. Kasparov casts his net widely, not just relying on fellow
Russians and East Europeans for opinions and games, but seeking the views
of the leading lights of Western Europe and America in his appraisal.
It was, after all, a period in which chess broke out of its Eastern European
monopoly and became truly universal. US views are expressed by Soltis,
Alburt, Browne and Gulko, with Nunn, Speelman, Keene and Hartston contributing
pieces on the (then) new British involvement in (and contribution to)
opening theory.
There is of course a broad range of opinion expressed
in this final chapter. Not all of the contributors agree with Kasparov
that there was an openings revolution in the 1970s, while others use the
platform provided by Kasparovs book to concentrate their fire against
what has happened subsequent to the 1970s. For the reviewer, the most
poignant contribution was by Lajos Portisch who questions why Kasparov
had to play matches against these hellish computers, criticises
modern time limits which have murdered the endgame, and says
of modern tournaments, with the ever-present suspicion of electronic chicanery:
Thank God, at least I wont have to take part in this!.
It is sad that such a great player should have been so put off modern
chess and we ignore his warnings at our peril.
At the centre of all this is Kasparov himself
and his stellar annotations. As always, he is candid and records his setbacks
as often as his triumphs. For example, both of his losses to former Magazine
editor Murray Chandler are charted and discussed in these pages, with
Kasparov ruing his youthful reluctance to take the sage advice of his
elders. All the books tell us to study our losses and Kasparov exemplifies
the good sense of this approach better than anyone.
The reviewer has not had the book in his hands
long enough to write a more considered review, but the initial impression
is of a book which is even more impressive than the best of the Predecessor
series. It does not get bogged down in the history of the people and
the events, but concentrates on the evolution of ideas which have gone
to produce the opening theory of today. There cannot be much doubt that
Kasparov is the absolute master of the subject in this era, and his approach
in seeking out contributors who know something about the circumstances
in which various ideas were born means that most opening complexes are
represented. Of course, you will not necessarily find your own favourite
opening line covered in the book, but all the major ones (and a number
of the more obscure ones) are there.
On the negative side, a few strange typos came
to light: the chapters on the Caro Kann featured three games where the
notation starts 1 e4 e6 (when they should of course have been
1 e4 c6). One diagram purporting to show a position after 1 d4 Nf6 2 c4
g6 3 f3 e5!? has three black knights on b8, f6 and g8
but no f8 bishop. Amusingly, this appears in Andras Adorjans short
essay a grandmaster renowned for his insistence that Black
is OK. Maybe so, but the typesetting is most certainly not OK.
Joking apart: it is a magisterial work which will provide hours of enjoyment
to serious students of the game. JS.
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It is interesting to have a book on Karpovs endgame skills published
in the same week that Kasparovs opening theory book comes out. If
Kasparov was the ultimate virtuoso of opening theory, then Karpov has
a strong claim to being the best endgame player of all time. This substantial
book contains 105 annotated games in which Karpov demonstrated his immaculate
endgame abilities. The opening moves of the games are wisely included,
as it is not simply a question of demonstrating endgame technique; of
course, it is important to know how the endgame tabiya was reached.
Not all the games have significant annotations of the first phase of the
game, but the final phase is invariably assessed with full textual detail.
This is a most enjoyable and instructive work, with an index of endgame
themes which allows the student to concentrate on Karpovs abilities
in specific types of endgame. JS.
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What an amazing month for quality chess books
as if a two new Kasparov books and a fascinating work on Karpovs
endgame play were not enough, heres a landmark manual on the endgame
by one of the most popular authors in the game. It is subtitled From
Beginner to Master and that is the principle by which the chapters
are divided up. It starts with chapters for elementary players (the first
30 pages are for rank beginners, the next 25 for players rated 1000-1199,
and so on). But given the massive size of this big-format book and the
reasonableness of the price, nobody can complain they are being short-changed.
As well as maintaining the readers interest
and attention, Silman believes in keeping things practical and sticking
to endgames that are likely to turn up in games. One of the first things
the reviewer looked for was Silmans way of imparting how to mate
with bishop and knight. To my initial horror, I found it wasnt there.
But this was quite deliberate. Silman explains: [it] might never
occur in your whole chess lifetime and is far too difficult to waste your
precious study time on (in other words, this book wont examine bishop
and knight vs. king at all). On reflection, perhaps he is right.
I have played competitive chess for 40 years and never been called upon
to demonstrate this arcane trick. A check of Mega Database 2007 shows
that it occurs once in every 5,000 games or so. That is more games than
are ascribed to Korchnoi on the same database (and hes never had
to play it). So statistics seem to bear Silman out. He takes the same
line with such endgames as queen and pawn versus queen (which he regards
as too tough and obscure for players under 2400 to learn).
On the other hand, there is plenty of material
here covering endgames that do show up a lot, like rook and pawn against
rook. You can never get enough practice at this one and Silman gives you
lots of valuable advice and practice on this and other frequently-occurring
scenarios.
The book is beautifully laid out and easy on the
eye. There are plenty of test questions to monitor progress, and sufficient
diagrams so that it can be read without a board in many cases. It is richly
imbued with Silmans evident relish for the game of chess. It might
seem a strange thing to say but this is actually a book to read.
A lot of chess books, particularly endgame books, are packed with useful
reference material to dip into but are not really structured to be read
through. This one is exactly what it says it is on the cover a
course. Highly recommended and, if you can afford it, buy two copies,
and send the spare one to the endgame murderers at FIDE who
would consign endgame play to the dustbin with their silly rapidplay time
limits. Who knows, if some of the magic of the endgame rubs off on them,
they might see the error of their ways. JS.
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In 17 chapters, several grandmaster authors offer methods of startling
opponents from the very outset. Once Bosch has rounded up developments
in lines covered in previous volumes in the series, Magazine contributor
Ian Rogers kicks off with three bizarre Australian specialities against
the Grünfeld: 1 d4 Nf6 2 c4 g6 3 Nc3 d5 4 Bg5 Ne4 5 h4!?, 5 cxd5!?
and 5 Qc1. Aggressive 1 d4-players might also enjoy Arthur Kogans
aptly-named Tarzan Attack, 1 d4 Nf6 2 Nf3 g6 3 Nc3 d5 4 Bf4
Bg7 5 Qd2 intending a lightening kingside attack; while the Slav expert
Dorian Rogozenko recommends a new positional try in the main line, 1 d4
d5 2 c4 c6 3 Nf3 Nf6 4 Nc3 dxc4 5 a4 Bf5 6 Ne5 Nbd7 7 Nxc4 Qc7 8 Qd2!?,
preventing Blacks usual ...e5 break. There are three weapons for
White against the Sicilian, including 6 a3!? in the Najdorf: perhaps New
in Chess are conscious of the competition from Everymans new
Dangerous Weapons series. Ideas for Black range from the eccentric
(Mikhalchishin on 1 d4 Nf6 2 Nf3 Ne4!?) to the cutting-edge (Tiviakovs
detailed account of his recent success with 1 e4 d5 2 exd5 Qxd5 3 Nc3
Qd6!?). As a Slav player who is uncomfortable against 1 c4 c6 2 e4 and
has even experimented with 2...e5 3 Nf3 f5!?, I was attracted by Erwin
LAmis chapter on 3...Qa5!? However, his analysis of the critical
line is rather light, and Im not convinced that relinquishing the
bishop pair leaves Black OK after 4 Be2 Nf6 5 Nc3 Bb4 6 00
00 7 Qc2! Na6!? 8 a3 Bxc3 9 dxc3 Nc5 10 Nxe5 (10 Be3!?) Ncxe4, e.g.
11 Nf3 d5 12 exd5 Qxd5 13 Be3. But here as throughout this pleasantly
eclectic book is much food for thought. Review by James Vigus.
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This is an opening manual on Philidors Defence (1 e4 e5 2 Nf3 d6)
which goes some way towards rehabilitating a system which has long been
considered the poor relation amongst openings. Perhaps potential users
are put off initially by that famous game at the opera, and then later
by the positional problem of the imprisoned dark-squared bishop; but,
despite this, quite a number of titled players have shown that Philidors
Defence is a serious way of starting the game for Black. It should be
noted that the book covers lines which come from the more modern move
order 1 e4 d6 2 d4 Nf6 where White does not have to play 3 Nf3. Many of
these lines differ quite markedly from what would traditionally have been
thought of as Philidors Defence, and the book reaches page 233 before
getting down to the Philidor Hanham, which might be considered the main
line (1 e4 d6 2 d4 Nf6 3 Nc3 Nbd7 4 Nf3 e5 5 Bc4 Be7 6 00). The
overall impression is of a solid but flexible defence which probably brings
White a spatial advantage but nevertheless leaves Black with a playable
game. This book is set out as an opening manual, with move divergences
clearly marked, rather than as a collection of annotated games as is Everymans
more typical presentational style. It is a thorough work which represents
very good value for money. JS.
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This is a repertoire book for Black for dealing with everything other
than 1 e4 and 1 d4. Against 1 c4, Palliser advocates 1...c5. This turns
the game into a real English where neither player can easily
force a transposition into a conventional d-pawn opening, but is nevertheless
rich in possibilities. Nearly half the book is devoted to this system.
The author goes on to consider 1 g3/g4, 1 f4, 1 b3, 1 Nc3 and 1 b4, before
moving on to what he calls the 1 Nf3 problem which is covered
over some 60 pages. The problem consists mainly of the extremely transpositional
nature of 1 Nf3. Black will often try to steer it towards the d4 defence
of his or her choice (or even the e4 defence in the case of 1...c5 which
risks 2 e4). The book provides three alternatives: 1...c5, 1...d5 and
1...Nf6, depending to some extent on Blacks main preference against
1 d4/1 e4. However, Palliser provides nothing of substance against 1 Nf3
for Kings Indian Defenders. He argues that, after 1 Nf3 Nf6 2 c4
g6 3 Nc3 Bg7 4 e4 d6 5 d4, a transposition to the KID has been achieved,
adding only that Black should also be prepared for 4 g3 and an English
approach, but without providing guidance. That aside, this is a
thorough and thoughtful work which helps plug a typical gap in the amateur
players opening repertoire. JS.
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Nine years have elapsed since this, one of the
first Gambit titles, appeared in its first edition (which was reviewed
by Tim Wall on p140 of the March 1998 Magazine). It is worth considering
what has changed in the world of chess since that time, and the first
thing that springs to mind is the all-pervasive computer. Chessplaying
software has improved out of all recognition, most of us now obtain much
of our chess-related information from the internet and large numbers of
us also use databases to prepare and check out our opponents. In 2007
this is as true of sub-2000 rated players as it is of professionals, with
thousands of games from amateur tournaments finding their way into the
public domain. Therefore, much of the upgrading of this book has concentrated
on how to exploit chess software. Much of the practical advice about what
happens at the board (including Nunns no-nonsense approach to time
trouble) is unchanged. Perhaps because the author has retired from the
competitive fray and has little contemporary experience on which to draw,
there is no additional advice on such 21st century phenomena as incremental
time controls, which have almost supplanted fixed time controls in some
parts of the world.
The 1998 edition had just eight pages on using
a computer but the new edition has 57 pages, going into considerable
detail on the efficient use of specific products such as Fritz and ChessBase.
Interesting though the chosen games are, the level of detail in this chapter
seems rather excessive. It might have been more useful to supplement the
bare page and a half devoted to online chess-playing sites with advice
on other equally useful web-based chess resources (e.g. news reporting,
discussions forums, shopping, learning, provision of opening theory).
It would also have been valuable to hear a grandmasters opinion
on the relative merits of online chess, as opposed to club and congress
chess, when it comes to improving an amateurs game.
There is useful new advice on the matter of choosing
suitable chess books. However, there is no discussion or recommendations
regarding chess magazines, or advice regarding further steps a player
might take in finding clubs or congresses to play in. But this reasonably-priced
book achieves much of what it sets out to do, and in its most perceptive
section goes to the heart of the most fundamental question in chess: how
to go about choosing the right move at the board. JS.
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The book is sub-titled A Black Repertoire with 1 e4 c5 2 Nf3 d6,
the book concentrates on the Najdorf Sicilian but also provides coverage
of what happens after 3 Bb5+, 3 Nc3, etc. It is well up to the high standards
set by this reliable Russian publishing house, with plenty of textual
content to go with the suggested variations. JS.
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The Hungarian grandmaster has collected 1,000 rook endings and presented
them six to a page, with fully-worked solutions, annotated Informator
style, at the back of the book. Mostly from the last 20 years: this is
excellent study material for honing your endgame play. JS.
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As the title suggests, this book is not only
about chess. It covers a wide range, though there is a considerable amount
of chess history designed for the general reader. The epic matches with
Karpov are repeatedly discussed and Kasparov not unnaturally considers
his wins over the eternal opponent at critical points in the
matches amongst his finest achievements.
First of all this is a book which describes how
Kasparov became the dominating champion in his chosen field. Of course
he had a natural talent for chess, but he also had driving ambition, the
ability to work incredibly hard for long periods and considerable awareness
of the strengths and weaknesses of himself and his opponents. One imagines
that dominating sport champions such as Tiger Woods and Lance Armstrong
would write something similar.
The aim of the book is ambitious: to draw lessons
from chess playing in order to help make decisions in the wider world.
Kasparov has clearly read extensively. He has also developed a reputation
as a speaker on the conference circuit and has clearly been influenced
by the consultants and business people he has met. Unfortunately he has
also picked up a considerable amount of management jargon which shows
in the layout of the book and the continual use of examples from other
fields. These are not always successful. For example, Kasparov believes
aggression and the initiative are key strategies and they certainly worked
for him at the chess board. He then writes: Static defence is dead.
Todays warfare is about hitting first and hitting hard. Looking
at Iraq and Afghanistan, is this really so?
Fundamentally, the title of the book is wrong
it should be How Chess Imitates Life. Rich and wonderful
as chess is, it is only a game between two players with the simple objective
of beating the opponent (or, at least, not losing). Life is infinitely
more complicated than that. Drawing conclusions from chess applicable
to life does not always work. In a sense Kasparov recognises this as he
is refreshingly open about some of the problems he has experienced in
his business and chess life to date and the need for a different approach
in his new political career.
None of these comments should deter anyone, chess
player or not, from reading this book and forming their own views. Only
Emanuel Lasker among the world chess champions had previously written
books on subjects other than chess. Kasparov, like his great predecessor,
has the courage and the ability to do so. This is a remarkable book by
(and about) a remarkable man. Review by Ray Edwards.
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The latest bound volume has coverage of an eventful year in chess, with
the world championship being reunited after 13 years of schism. As well
as major events, there are articles, letters, problems, studies, quotes
and queries, book reviews, colour photos and historical articles on Tal,
Winter and Kholmov. Contributors and annotators include Ian Rogers, Lubosh
Kavalek, John Watson, Mikhail Golubev, Sam Collins and Gary Lane. Your
bookshelf would be incomplete without it! Image shown left is not a
depiction of the cover, which is plain maroon.
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Two more video disks from ChessBase feature Shirov on the Kings
Indian and Nimzo-Indian Defences. Shirov concentrates more on the history
of the opening than current theory, but of course his views and opinions
remain fascinating. He gets off to a great start on the KID disk with
a fascinating talk on his 1992 Bundesliga game (in the Sämisch variation)
gainst Kramnik with whom Shirov tells us he used to swap notes
on KID theory, incidentally. Shirov is a relaxed and articulate presenter,
and the sound and vision are excellent. Video running time of 5+ hours.
System requirements: Pentium-Processor at 300 Mhz or higher, 64 MB
RAM, at least Windows 98 SE, Windows Media Player 9.0, DVD drive.
JS.
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The CD comes with 30,000 games, plus an introductory text and chapter
on the basic ideas of the system. These are followed by 18 texts on individual
variations. The author brings his own practical experience to bear, annotating
some 400 games exclusively for the CD. There is also a training database
with 30 games and 300 training questions. The CD is rounded off with an
opening tree of all 30,000 games. JS.
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Three issues of Informator on disk: the data comes in four different
database formats (ChessBase, PGN, Chess Assistant and Informator Reader).
There are 1,265 fully annotated, theoretically-important games plus 1,478
game fragments played between October 2005 and August 2006 and all the
other usual Informator features. JS.
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The latest issue has coverage of the Kramnik-Deep Fritz match, annotated
by Arik Braun, Lubomir Ftacnik and Karsten Müller. Fritzs chief
programmer Matthias Wüllenweber gives a video interview with some
interesting insights into the inner life of Fritz. There is coverage of
the Tal Memorial in Moscow with Leko, Gelfand and Shirov annotating games.
The DVD contains more than five hours of video-based training, plus 14
opening surveys. One nice video snippet features an opening trap which
is not a trap (according to Rainer Knaak). It is in the Hungarian Defence:
1 e4 e5 2 Nf3 Nc6 3 Bc4 Be7 4 d4 exd4 5 c3 (Setting a trap or is
it?) dxc3 6 Qd5 and heres where lots of players have resigned, thinking
they have lost a piece for nothing much. But after 6...Nh6 7 Bxh6 00,
things are not so clear. Look at it with your computer or buy the
disk and let Knaak show you whats happening. JS.