| STOP CARD OUT OF TURN By Mike Swanson 'I do so like the Losing Trick Count,' said John. 'It really has helped me to get over my conservatism with unbalanced hands.' 'Yes, I agree,' replied Julie. 'But don't let it take you too far the other way and start bidding like a madman!'
John couldn't believe his luck. 'Nineteen points and a
six-card major and only four losers; it surely must be worth a Benjamin
2 Blissfully unaware that he was not the dealer, John withdrew the 'Stop' card and placed it on the table, at which point Julie screamed out 'John, it's not your turn!' 'Well you'd better complete your bid and then we'll call the Tournament Director,' suggested West. John, who was all too familiar with such situations, knew better. 'No, my Stop card doesn't constitute a bid. I'll just call the Director now.' The Tournament Director confirmed John's point of view. 'The Stop card merely constitutes unauthorised information for North, but the information is authorised for East-West. The auction should now proceed as normal starting with West.' After two passes (Julie would never pre-empt with a four-card
major on the side), East perused John's convention card and found himself
on the horns of a dilemma. If John just had a weak two in a major, he
felt he would be better off passing, but if John had a big hand then a
slightly off-centre 3
When Julie bid 4 West led the 'Well, I am happy with the result,' said Julie, 'But I don't
think very much of your hand!' 'Four losers doesn't mean nine winners! I would only have opened one heart on the hand. Perhaps you should only turn to the Losing Trick Count when we have found a fit and rely on good old-fashioned playing-tricks to decide whether your hand is too good to open at the one level,' replied Julie scathingly. John sighed in the realisation that even being lucky at cards wasn't all that it was cracked up to be. | |||||||||||||||||||||||||||||||||||||
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